
Simple Joy, 2014, 52x54 inches, acrylic on canvas
I love working with the grids in this painting defining different layers.

Trace Memory, 2015, 73x54 inches, acrylic on canvas
It was refreshing to work on this really large canvas. I was able to work out lots of compositional problems.

Fields and Berries, 2017, 30x24 Inches, acrylic on canvas
Richard Diebenkorn inspired this angular painting which takes its ariel perspective from my husband's flying adventures.

To Divorce or Not, 2014, 20x20 Inches, acrylic on canvas
This little painting was inspired by friends contemplating divorce. Alternative positives and negatives point out the hazzards.

Momma I, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.

Momma II, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.

Momma III, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.

Mommas II and III
This paring enlivens a corporate entry.

The Object Lesson, 2015, 52x54 Inches, acrylic on canvas
The photo is a little strong in color compared to the real thing. I wanted it to be a contrast between nonrepresentational shapes and something more recognizable.

Spring Refreshment, 2015, 52x54 inches, acrylic on canvas
Printmaking techniques were important to creating this vibrant painting.

Color Ballet, 2015, 52x54 Inches, acrylic on canvas
A companion of Spring Refreshment.

Winter Hymn I, 2013, 52x54 Inches, acrylic on canvas
Inspired by a winter walk from the Met to Zabar's, this painting is restful and easy to live with.

Winter Hymn II, 2013, 52x54 Inches, acrylic on canvas
The companion to Winter Hymn I, this painting also stands on its own, with subtle colors creating a restful atmosphere.

Winter's Hymn I and II, 52x108 Inches, Acrylic on Canvas
These paintings each 52x54 hang together as one very well as you can see in this recent corporate placement.

Twelve Perfect Days 2014, 36x36 Inches, acrylic on canvas
We spend twelve days in our annual vacation spot, mostly watching the river flow by. This labyrinth inspired design includes a description of just how wonderful it is.

The Right To, 2012, 36x36 Inches, acrylic on canvas
Consisting of a list of 53 things that women have a right to, this painting is the first "word" painting.

Solitude, 2011, 52x54 Inches, acrylic on canvas
Juried into the Statewide Painting Exhibition at the Triton Museum of Art in 2012 this painting exhibits the technique of printing from plastic "plates"

Three Graces, 2010, 40x30 inches, acrylic on canvas
Acrylic film as well as paint make up this painting.

Ancient Memories, 2012, 48x48 Inches, acrylic on canvas
Richly overlapping color and forms.

Nature Renews, 2012, 48x48 Inches, acrylic on canvas
Embedded in the black rectangle are glass beads to reprise the slight occurrences of red and orange throughout. Generous use of acrylic film gives a unique textural surface.

Is It Time? 2009, 52x54 inches, acrylic on canvas
I kept turning this painting to work on it from different perspectives. Suddenly it was done.

Breathing Space, 2009, 52x54 Inches, acrylic on canvas
Sometimes abstract paintings end up being figurative. I like this guy.

Calibrate, 2009, 54x52, acrylic on canvas
This painting started with three young people experimenting with paint. I tried to keep some of their energy as I completed it.

The Rescue, 2009, 54x52 Inches, acrylic on canvas
This painting represents all the times we rescue one another, from little things like taking kids home for school for another mom to saving a life by doing CPR.

Heart Leaves, 2009, 52x54 Inches, acrylic on canvas
One of my only representational paintings, this was painted while recovering from a major illness. Cottonwoods along the north fork of the Stanislaus river provided the reference photo.

Tide's In, 2009, 54x52 Inches, acrylic on canvas
Totally random shapes come together to appear to be a pool reflection. Really fun.

Mellow Haze, 2009, 54x52 Inches, acrylic on canvas
One of my favorite paintings, I came to appreciate the effect it has on the environment where it hangs by hanging it in my living room for half a hear.

Indulgence, 2008, 24x24 Inches, acrylic on canvas
Printmaking techniques are very important to this composition.

My Brother's Driving, 2008, 24x24 Inches, acrylic on canvas
This experiment in locating elements along the edge of the painting ended up reminding of my brother's aggressive driving habits.

High Country Meadow, 2005, 30x30 Inches, acrylic on canvas
An early painting, it still excites me to look at.

Blizzard Remains, 2008, 30x30 Inches, acrylic on canvas
This painting won best in show. It's still a beauty. Three inch deep.

Glimmer of Truth 2010, 30x40 Inches, acrylic on canvas
This has hung in my dining room as a favorite. It really glows on a medium value wall.

Splashing Pools 2012, 36x48 Inches, acrylic on canvas
This painting looks great on a grey-green wall. A ray of sunshine.
Simple Joy, 2014, 52x54 inches, acrylic on canvas
I love working with the grids in this painting defining different layers.
Trace Memory, 2015, 73x54 inches, acrylic on canvas
It was refreshing to work on this really large canvas. I was able to work out lots of compositional problems.
Fields and Berries, 2017, 30x24 Inches, acrylic on canvas
Richard Diebenkorn inspired this angular painting which takes its ariel perspective from my husband's flying adventures.
To Divorce or Not, 2014, 20x20 Inches, acrylic on canvas
This little painting was inspired by friends contemplating divorce. Alternative positives and negatives point out the hazzards.
Momma I, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.
Momma II, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.
Momma III, 2014, 52x54 inches, acrylic on canvas
This series of paintings was about simplicity and shape.
Mommas II and III
This paring enlivens a corporate entry.
The Object Lesson, 2015, 52x54 Inches, acrylic on canvas
The photo is a little strong in color compared to the real thing. I wanted it to be a contrast between nonrepresentational shapes and something more recognizable.
Spring Refreshment, 2015, 52x54 inches, acrylic on canvas
Printmaking techniques were important to creating this vibrant painting.
Color Ballet, 2015, 52x54 Inches, acrylic on canvas
A companion of Spring Refreshment.
Winter Hymn I, 2013, 52x54 Inches, acrylic on canvas
Inspired by a winter walk from the Met to Zabar's, this painting is restful and easy to live with.
Winter Hymn II, 2013, 52x54 Inches, acrylic on canvas
The companion to Winter Hymn I, this painting also stands on its own, with subtle colors creating a restful atmosphere.
Winter's Hymn I and II, 52x108 Inches, Acrylic on Canvas
These paintings each 52x54 hang together as one very well as you can see in this recent corporate placement.
Twelve Perfect Days 2014, 36x36 Inches, acrylic on canvas
We spend twelve days in our annual vacation spot, mostly watching the river flow by. This labyrinth inspired design includes a description of just how wonderful it is.
The Right To, 2012, 36x36 Inches, acrylic on canvas
Consisting of a list of 53 things that women have a right to, this painting is the first "word" painting.
Solitude, 2011, 52x54 Inches, acrylic on canvas
Juried into the Statewide Painting Exhibition at the Triton Museum of Art in 2012 this painting exhibits the technique of printing from plastic "plates"
Three Graces, 2010, 40x30 inches, acrylic on canvas
Acrylic film as well as paint make up this painting.
Ancient Memories, 2012, 48x48 Inches, acrylic on canvas
Richly overlapping color and forms.
Nature Renews, 2012, 48x48 Inches, acrylic on canvas
Embedded in the black rectangle are glass beads to reprise the slight occurrences of red and orange throughout. Generous use of acrylic film gives a unique textural surface.
Is It Time? 2009, 52x54 inches, acrylic on canvas
I kept turning this painting to work on it from different perspectives. Suddenly it was done.
Breathing Space, 2009, 52x54 Inches, acrylic on canvas
Sometimes abstract paintings end up being figurative. I like this guy.
Calibrate, 2009, 54x52, acrylic on canvas
This painting started with three young people experimenting with paint. I tried to keep some of their energy as I completed it.
The Rescue, 2009, 54x52 Inches, acrylic on canvas
This painting represents all the times we rescue one another, from little things like taking kids home for school for another mom to saving a life by doing CPR.
Heart Leaves, 2009, 52x54 Inches, acrylic on canvas
One of my only representational paintings, this was painted while recovering from a major illness. Cottonwoods along the north fork of the Stanislaus river provided the reference photo.
Tide's In, 2009, 54x52 Inches, acrylic on canvas
Totally random shapes come together to appear to be a pool reflection. Really fun.
Mellow Haze, 2009, 54x52 Inches, acrylic on canvas
One of my favorite paintings, I came to appreciate the effect it has on the environment where it hangs by hanging it in my living room for half a hear.
Indulgence, 2008, 24x24 Inches, acrylic on canvas
Printmaking techniques are very important to this composition.
My Brother's Driving, 2008, 24x24 Inches, acrylic on canvas
This experiment in locating elements along the edge of the painting ended up reminding of my brother's aggressive driving habits.
High Country Meadow, 2005, 30x30 Inches, acrylic on canvas
An early painting, it still excites me to look at.
Blizzard Remains, 2008, 30x30 Inches, acrylic on canvas
This painting won best in show. It's still a beauty. Three inch deep.
Glimmer of Truth 2010, 30x40 Inches, acrylic on canvas
This has hung in my dining room as a favorite. It really glows on a medium value wall.
Splashing Pools 2012, 36x48 Inches, acrylic on canvas
This painting looks great on a grey-green wall. A ray of sunshine.
































